In Kabali, one shouldn’t expect the freshness in script and making style which his Madras offered. Just when viewers erupt with joy, with Thalaivar finishing off the baddies in style, there comes an unconventional twist.Īs Ranjith isn’t a run-of-the-mill director, and is considered as someone whose screenplay and dialogues have hidden meanings, comparisons with his previous films are but in order. The climax of the film, however, is something that one least expects from a Rajini film. Watching Yogi (Dhansikaa) is a delight, given her stylish makeover and ease in fight sequences. Radhika, who has been cast opposite him is apt and their chemistry, their combination scenes, though only few, are convincing. His majestic screen presence and the fast movements in intense sequences make the film watchable. His scores of fans, needless to say, are in for a treat, watching him in, probably, the most stylish and dapper avatar in his recent outings. Though, with Kabali, most of the audiences were expecting a ‘Ranjith film which has Rajini’, it is the Superstar, like in most of his previous films, who carries the entire film in his shoulders, even though other actors shine in their respective roles. Will Kabali get his wife back? Will he be able to make up the years that he lost in jail? The suspense continues… Meanwhile, Veera is ruling the roost in the town, with his own empire and Tony (Winston Chao), one of the dreaded gangsters is his business partner. Thamizh Kumaran (Kalaiyarasan), the son of a yesteryear aide of Kabali, who backstabbed the latter, is another person who promises to help the old Kabali, but is confused. Jeeva (Dinesh), an overly enthusiastic youngster, too, joins him as a loyal aide. He seeks the help of his old gang, including Ameer (John Vijay), who are more than happy to help him. Released after two-and-a-half decades, Kabali goes in search of his wife Kumudhavalli (Radhika Apte), who was pregnant when destiny separated them. After a violent gang war, which takes place unexpectedly, Kabali, being convicted of various false charges, ends up in jail. He convincingly brainwashes an aide of Kabali and successfully turns him against the latter. Veera (Kishore) is one among those jealous, and keeps hatching plans to destroy Kabali’s gang, and defame him publicly. His rise to an influential person in the society, in a short span of time, is now giving sleepless nights to a few, which further fuels jealousy and enmity towards Kabali. Kabaleeshwaran aka Kabali (Rajinikanth), who was born somewhere in Dindigul, is the messiah of Tamil labourers who work in Malaysia, after he fights for their primary rights and wages. Has he made a ‘comeback’ (‘payback’ is the word fans have chanting for a while) this time, with more than enough reasons for his millions of fans to cheer? Let’s check out. As his legions of fans were disappointed with his previous outing, Lingaa, which had the star trying to please his admirers with unconvincing romance, comedy and action, Kabali, undoubtedly, was going to be a ‘do or die’ game for both, the star and his fans. With Pa Ranjith, who won appreciation from all quarters for his previous film Madras, it isn’t an exaggeration to say that Kollywood was waiting to witness an all-new Rajini, nay, in fact, the old Rajini, which many people felt they have been missing for many years.
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Kabali Review: The project Kabali evinced interest among the hordes of die-hard fans of Superstar Rajinikanth and other movie buffs right from the beginning – for, they were sure that this wasn’t going to be ‘another’ Rajini film with the star playing to the gallery, with his successfully tried-and-tested histrionics. Kabali Story: A gangster in Malaysia goes in search of his family after 25 years of imprisonment.
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