Most of the characteristic sound that the SSL 4000 G Bus offers is due to the feedback-style approach to compression that its analog counterpart takes. The UAD SSL 4000 G Bus compressor offers a lot of punch and does a great job of preserving the transient information of mixes, while effectively gluing together the components that make up the song you’re working on.
#IZOTOPE OZONE 8 VS FABFILTER LIMITER FULL#
Read the full article for more information on cleaning up your mixes and masters. Soothe made its way into “4 Essential EQ Techniques to Get Clean Mixes,” which touches on some mastering EQ tips as well. Whether you’re a mixing or mastering engineer, soothe will provide tremendous value, on top of an easy-to-use interface. This is absolutely a specialty plugin, but one with a wide range of applications.
I’ve had soothe rescue many recordings that not many other tools could have saved.
This plugin can tame vocal sibilance, fretboard noise on acoustic guitar, whistling from cymbals, and overly bright electric guitar and piano tracks. Soothe offers a solution to this common mastering problem, and also has several useful mixing applications. When the different elements of a song sum together when they reach your stereo bus, specific harmonics can sum together to create resonant frequencies that unpleasantly stick out of the mix. Soothe is a spectral processor for suppressing resonances in the mid to high-frequency range of mixes. FabFilter’s Pro-Q 3 offers plenty of surgical processing options, making it ideal for mastering purposes. I find this to come in handy quite often since it prevents the need to go frequency fishing. There’s a feature called Spectrum Grab included with the Pro-Q 3 that automatically identifies peaks for you and allows you to create new bands at resonant frequencies. This EQ offers up to 24 bands, 9 different filter types, linear phase, zero latency, and natural phase modes, the ability to toggle bands into dynamic mode, per-band mid/side processing, full surround support (up to Dolby Atmos 7.1.2), the ability to solo bands, optional auto gain, a customizable spectrum analyzer, and a resizable GUI. At a mastering level, I want a digital EQ full of features, with the ability to perform surgical processing this is where the FabFilter Pro-Q 3 steps in. Things change a little bit once I get around to mastering either my own music or the music of others. I mostly use stock or analog-modeled EQs while mixing, since I’m either looking for convenience or color at that stage in the production process.
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